Religious Cycles

B.A.M.P Video - Group D Studio Project, 19/02/1993
(1 x 10 mins) Bournemouth University / B.A. Media Production


The story of Mankind's relationship with God, in three acts: birth, life and death. Man is born out of a black void. He grows up and finds himself with bills to pay and leather-clad harlots to shag. He fails to notice signs that show him the true way of life, even though they are helpfully blu-tacked to the wall in every room he enters. Curiously, these pointers resemble road signs like "STOP!" and "GIVE WAY". After death, Man finally meets God, who casually informs him that life on Earth is all just a diversion.

Religious Cycles was the third and final video project to be made by our video group, conceived, written, produced and directed by Tracey Clarke. It remains now exactly what it was then: terrible. The script is nonsense. Scott is obviously embarrassed having to deliver it, for his acting is stilted. It is possibly his worst performance ever. The other turns are unintentionally hilarious. William Auld sounds bored as God, while Simon Goddard sounds castrated.

Technically, the sound is hissy and distant, and the addition of Gregorian chanting in post-production does nothing to aid it. Studio lights flash on and off erratically, almost of their own accord.

I remember only one thing about making Religious Cycles. We were in danger of being thrown out of the studio at 5pm with an incomplete film, for the schedule had fallen behind. Suddenly, the camera operators and I overheard a commotion in the gallery. Chris Crombie, the VT operator, had been accused of "farting about" with graphics and holding everyone up. "Don't f**king talk to me like that!" he retorted. As soon as taping was over, he left the building and never spoke to Tracey again.

During our end of term screening, Religious Cycles was granted a tumultous reception... of laughter. I well recall Alison Denvir giggling uncontrollably in the back row, and chanting "religious cycles, religious cycles..." like a mantra. Happily, Tracey's next film, a wind-surfing documentary, was very well-received during the end of year screening. One of her video effects, a wipe following the edge of a sail, caused everyone to whoop with delight.

Cast:
Scott Fairweather, Annabel East, William Auld, Alison Jenkins, Simon Goddard

Cameras: Joseph Potts, Alison Vaughan, Gary Truman
Boom Operator: Daniel Wilson
Sound: Alison Jenkins
Lighting: Orin Solomon
Floor Manager: Simon Harries
Set Design: Scott Fairweather
VTR: Chris Crombie
Engineer: Jo O'Reilly
Vision Mixer: Eleanor Bateman
Production Assistant: Paul Silver
Producer/Director: Tracey Clarke

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